JENS LARSEN "Jazz Chord Essentials - Drop 2 voicings part 1"


In my fourth lesson, I want to demonstrate a set of voicings that are fairly easy to play on the guitar and very useful for playing chords with extensions. I also want to talk a bit about how you approach playing chords in terms of interpretation of chord extensions, substitutes, connecting or voice-leading the chords. Hopefully it can help you learn and construct some new chords, and I hope it also helps you find new ways to play songs you already know and expand your ability to play chords freely.



What is a drop2 voicing

You might have heard the term Drop2 voicings before, and it is more or less considered basic voicing knowledge for mainstream jazz guitar. Lots of Wes Montgomery solos use drop2 voicings and it is also a huge part of bebop piano and bigband arranging.

To explain why drop2 voicings are very handy on guitar try to play the first half of example 1.

You should quickly notice that these basic inversions of an Am7 chord are very difficult to play and almost impossible to change a note in. Mainly because they are very stretchy to play.

The term Drop2 comes from taking the 2nd higest note in each one and drop it down an octave. This makes it possible to get the notes together in one position and yields the 4 voicings in the 2nd bar of example 1. As you can tell, these voicings are much easier to play and much more flexible so that we can change notes in them (that will prove essential in later lessons).

Basic Exercises

I chose to keep it simple and only work with the top set of strings. In the long run it can be very useful to also check out the middle set of strings and possibly the lowest set. A complete overview of the drop2 voicings can be found here: Scale charts and chord voicings

If you have checked out my lesson: Lesson 1: Jazz Chord Survial Kit  you will know that in a major scale we have four basic types of 7th chords: m7, dom7, maj7 and m7b5. Here are the voicings for those 4 types of chords on the top string set:

To get used to the sound of these chords and to get the voicings in to your fingers you should of course practice example 2 in all keys, but it can also be very useful to check out all cadences like I’ve written out in example 3:

This way of grouping the chords together in the order you are very likely to use them is of course also very handy. And important part of the cadences is also that I chose vocings that have correct voiceleading which in this case means that you just stay in the neighbourhood whenever changing to the next chord. You could consider doing the minor cadences too.

Another very useful exercise is to take the different drop2 inversions through a major scale as I have done in example 4. I only did two of the inversions, maybe try to figure out the last 2 by yourself. It should help getting to know major scales on the strings besides training the voicings themselves.

Putting it to use

As soon as you have a basic understanding and ability to play these voicings it is just as important to start working towards using them in real music. Below I’ve written out how I play the first 16 bars of "Autumn Leaves"with drop2 voicings. You should try to do this with a few songs as well. "Autumn Leaves", "Fly Me To The Moon" and "All The Things You Are" could be good tunes to try because they cover a lot of chords from the same key (and some in more keys as well).

You could with this exercise of course try starting with each of the Cm7 voicings and then work out how to play the whole song, it will present you with choices because the guitar (like all instruments) has certain limitations for how low or high you want to go and then you should just try to find a practical and musical solution, that is how it works in a playing situation so that is what you should practice too.

In the next part of the drop2 lessons I’ll start working on how to add extensions and alterations to the voicings. I’ll also give some more practical advice on how to use the voicings.

I hope you can use the exercises to get started working on Drop2 voicings and that you can get it into you playing.

As always you can download the examples as a PDF here:

Jazz Chord Essentials – Drop 2 voicings part 1


I hope that you liked the lesson. If you have any questions or comments then feel free to drop me an email at This email address is being protected from spambots. You need JavaScript enabled to view it.


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Archived Lessons

Lesson 1: Jazz Chord Survial Kit

Lesson 2: Diminished Scale usage

Lesson 3: Jazz Blues Soloing